For Photographers

Sixteen-plus years. 600+ weddings. Four countries lived in and roughly fourty photographed. Six weddings of my own (yes, to the same person, yes on purpose and yes I have proof.). A business built without a viral moment, without a giant following, without ever once compromising on who I am or who I work with.

I've learnt some things and I like to share them: at conferences, in one-on-one sessions, over six to twelve months of showing up alongside you, and through the tools and brands that actually make my workflow run. If you feel like I could help you steer your business or your thoughts in the right direction, let's chat!

🎀 Speaking & Conferences

I speak at photography conferences, industry events, and creative gatherings on the topics nobody else seems to want to touch, which is exactly why I think they matter. My talks are honest, specific, and built from many years of real experience rather than aspirational advice I've never had to live by. I don't do motivational filler. I do the uncomfortable conversations that most people are having privately, in the car on the way home from a wedding, and need someone to say out loud in a room. If your event needs someone who will say what's actually true and leave the audience with things they can use immediately, I'm down.

THE POWER OF NO

Most photographers say yes to everything because they're afraid of what happens if they don't. I spent a significant chunk of my early career doing exactly that, and I can tell you precisely what it costs in energy, in time, in the slow erosion of the work you actually wanted to make. This talk is about how saying no to the wrong clients, the wrong jobs, and the wrong compromises is not a risk: it's a strategy. One that builds better businesses, better reputations, and a much more sustainable life. We'll cover how to identify what to say no to, how to say it without burning bridges, and what happens to your bookings when you stop accepting everything.

MENTAL HEALTH BEHIND THE LENS

We photograph other people's joy for a living. We show up to some of the most emotionally intense days of people's lives, we carry cameras through them for twelve hours, we smile when we're exhausted, and then we drive home alone and edit until 2am. The wedding industry is beautiful and it is also, genuinely, a lot. Burnout in this industry is real, common, and almost completely undiscussed in public. This talk changes that in an honest and practical way, without pretending that "just take a day off", "disconnect after 5 pm" or "practice some kind of meditation or breathing exercises" are a solution to anything structural.

SURVIVING AND THRIVING AT DESTINATION WEDDINGS

Shooting destination weddings sounds glamorous. It is, sometimes. It's also jet lag, unfamiliar venues, vendor relationships you've never built, cultural traditions you need to understand and respect, currency conversions, travel insurance, packing lists that weigh exactly as much as airline limits allow, and the logistical reality of being a professional in a foreign country. This talk covers the practical side nobody teaches: the business model, the pricing, the client management, the on-the-ground reality, based on sixteen years and way too many countries of actually doing it.

BEING TRUE TO YOURSELF (EVEN WHEN IT'S POLITICAL)

There is a version of brand-building that says: don't alienate anyone, stay neutral, keep it professional, don't let your personal views affect your business. I have done the opposite of all of that, on purpose, for years, and my business is stronger for it. This talk is for photographers who want to stand for something real, who have values they actually live by and want their business to reflect them, and who are scared of what happens if they put that out there publicly. We talk about what it costs. We talk about what it earns. We talk about how to do it without it becoming a liability.

GETTING BOOKED OUT WITHOUT SOCIAL MEDIA

The photography industry has collectively decided that Instagram is the only way to get clients. It isn't. I've built a booked-out calendar in multiple periods of my career without relying on social media as a primary driver: through SEO, blog content, vendor relationships, directory listings, referral networks, and word of mouth from clients who felt genuinely looked after. This talk covers the full picture of how clients actually find and choose a photographer, which channels consistently deliver bookings versus which ones deliver followers, and how to build a marketing strategy that doesn't collapse every time an algorithm changes.

WHAT I LEARNT AS A PHOTOGRAPHER GETTING MARRIED SIX TIMES

Every wedding I've photographed, I've been seeing from one side of the camera. Then I went and suddenly had six weddings of my own: same person, no divorces, genuinely on purpose, and I learned things about wedding photography that are completely invisible until you're the one in the dress. This talk is equal parts practical insight, personal chaos, and the very specific perspective that only comes from being a wedding photographer who is also a recurring bride already planning the next wedding. It's also, I promise, significantly funnier than the other talks, though I may or may not have a full meltdown on stage over cake and decor as all brides do.

πŸ“± One-on-One Mentorship Session

A single session, one time. For the photographer who has a specific question, a specific stuck point, a specific decision they can't make alone and just needs a few hours of honest, experienced input to get unstuck and move.

This is not a course. There are no slides, no workbooks, no email sequence. It's a conversation: the kind you'd have with a more experienced colleague who actually wants you to succeed, isn't competing with you, and will tell you the truth even when the truth is uncomfortable. I've been doing this for too long and I've made most of the mistakes there are to make. That's not a liability in a mentorship context - it's the entire point.

WHAT WE CAN COVER

  • Positioning and niche: how to find yours without narrowing your audience to nothing
  • Pricing strategy: how to charge what you're worth, structure it clearly, and stop apologising for it
  • Client communication: from first enquiry to final delivery, and the messages in between that most photographers get wrong
  • Marketing beyond social media: SEO, referrals, directories, vendor relationships, blog strategy
  • How to say no: professionally, warmly, and without losing the enquiry entirely
  • Workflow, editing, delivery: how to get your time back without sacrificing quality
  • Building a brand that sounds like a real person, not a generic wedding photography website
  • Whatever you actually need to talk about - because every photographer's situation is specific, and this session is yours

One session is enough to shift a lot. Sometimes all you need is a clear outside perspective from someone who has been exactly where you are, built through it, and come out the other side with a full calendar and a business they actually like.


Format: Video call, 2–3 hours

Language: EN Β· PT Β· FR Β· IT Β· DE Β· ES

Availability: Limited I take a small number of sessions around my shooting calendar

🌱 Monthly Photography Accompaniment

This is the longer one. The one for photographers who don't need one answer: they need someone alongside them, consistently, while they rebuild, reposition, or build something from scratch that they're actually proud of.

Six, eight, twelve months. However long it takes. Fully online. Monthly video calls and async feedback by email and voice note in between. No rigid curriculum, because every photographer's situation is completely specific and I refuse to hand you someone else's template and call it coaching.

What I'm offering is sustained, personalised, honest input from someone who has built a sustainable photography business over sixteen years through market changes, through the rise of social media, through a pandemic, through all the moments where the industry shifted and businesses either adapted or didn't. I adapted. Several times. I'll show you how.

WHAT WE'LL WORK ON TOGETHER

  • Positioning and voice: Who are you as a photographer, actually? What makes your work and your approach specific rather than generic? What's the story you're telling before anyone sees a single image - and is it the right one for the clients you want?
  • Marketing: The full picture: SEO, blog content strategy, referral networks, vendor relationships, directory listings, press and publication features, word of mouth systems. Not just social media. All of it, in the right order, for your specific situation.
  • Business structure: Pricing, packages, how you present your services, the contracts that protect you, the payment structures that work, the conversations that feel scary and why they shouldn't.
  • Brand identity and copy: Your website, your inquiry responses, your social captions, your email tone - making all of it sound like one consistent, specific, recognisable person rather than a patchwork of different voices from different years.
  • Mindset and sustainability: The parts of running a creative business that nobody puts in a business plan: how to handle difficult clients, how to protect your energy, how to make decisions when you don't have a manager to ask, how to keep going when it's hard without burning out completely.
  • Ongoing reality-check: Someone to send the email to before you send it. Someone to ask "is this the right move" when you genuinely don't know. Someone invested in your success and available to say so, consistently, for six months.

Format: Monthly video calls + async feedback between calls

Language: EN Β· PT Β· FR Β· IT Β· DE Β· ES

Availability: Very limited to maximum of 4 accompaniment clients at a time

πŸ› οΈ Tools & Brands I Actually Use and Love

These are the tools in my actual kit. Not sponsored "favourites." Not things I tried once at a conference and never touched again. Things I actually use, that have survived real wedding days in real countries with real chaos, and that I would be genuinely annoyed to lose access to.

I don't recommend things I don't use. That's it. That's the entire vetting process.

Every brand below has a referral link: click it and you'll get something for free or at a cool discount (details on each link). I may earn a small commission if you go on to buy. That's how this works, and I'd rather be honest about it than not mention it.

ALBOOM: HELLO PRETTY WEBSITE & CRM

This website you're looking at right now runs on Alboom, a platform built specifically for photographers, which means it actually understands what a photographer's website needs to do. Fast loading, beautiful gallery display, built-in blog and client area, and no requirement that you also become a web developer to use it. I've been through enough website platforms to know which ones photograph well and which ones just looked good in a demo. Alboom photographs well.


🎁 Click here and get 1 month free to test it out!

NEURAPIX: MY STAR FOR PHOTO EDITING

Let me paint you a picture: it's Sunday morning, you shot 4000 frames the day before, your eyes feel like sandpaper, and you have another wedding next Saturday. Neurapix is the reason I'm not skipping the barbecue this afternoon or spend the rest of the week still editing at 3am. It's a Lightroom Classic plugin that actually learns your specific editing style: not a preset, not a filter, not an AI that requires an extra tool for you to learn. It's an LR integrated sidekick that watches how you make decisions and replicates them image by image, adjusting to each photo's lighting rather than stamping the same look onto everything. I trained mine once with 20 photos. Now it does 90% of the heavy lifting on every gallery. My style, my look, infinitely less of my time.


🎁 Click here and get 1 month free to test it out!

OODIO: MY VIDEO HEROES

Outsourcing your video editing sounds terrifying until you find someone who does it better than you and actually in your style. Oodio is that someone. They handle post-production for photographers: video editing, color correction, small adjustments you want because you're an obssessive *ss (oh wait, is that just me?) - and the thing that makes it work is that they actually care to learn how you work and what your output looks and feels like, so the final product is truly yours, not like a generic wedding film factory. Cinematic films, highlights reels, social reels - I send them the footage, they send me back something I'm proud to deliver to clients.


🎁 Click here and get 1 month free to test it out!

PIC-TIME: CLIENT DELIVERY GALLERY

Your gallery delivery is part of the client experience. It's the moment your couple opens a link and sees their wedding day for the first time and if that moment involves a clunky interface, a confusing download process, or anything that looks like it was designed in 2009, you've undermined the whole thing. Pic-Time makes galleries that are genuinely beautiful, intuitive on mobile, and allow clients to browse, favourite, download, and order prints without needing a tutorial. The marketing automations quietly run in the background and generate passive income from print sales while I'm off photographing and my clients feel taken care of. 


🎁 Click here and get 1 month free to test it out!

ALBUMTELLER: ALBUM DESIGN MADE SIMPLE

Album design used to be the thing I left until last, procrastinated on, and eventually did in a mild panic. AlbumTeller fixed this by making the automatic layout actually good - not "good enough to tweak forever" good, but genuinely good out of the box. It distributes images across spreads with real taste, the client proofing system keeps feedback organized so you're not decoding a string of WhatsApps, and it integrates with the labs you're probably already using. I now enjoy the album design process. And yes, that sentence definitely would have been unthinkable three years ago.


🎁 Click here and get 1 month free to test it out!

KOYLAB: PREMIUM HANDMADE ALBUMS

Koy Lab is a family business out of Braga, Portugal, that has been handmaking photography albums since 1977. Let that sink in! 1977! They were doing this before most of us were born, and the craftsmanship shows in every detail: lay-flat spreads with no gutter, archival photographic paper, an enormous range of cover materials, and the kind of quality that makes the difference between an album that lives on a coffee table for fifty years and one that ends up in a box after six months. I'm a global ambassador because I genuinely believe that a wedding album should be an heirloom, not an afterthought - and Koy Lab makes heirlooms I'm proud to present my clients.


🎁 Click here and get 1 month free to test it out!

SOCIAL MEDIA TEMPLATES: BYE IG PANIC

Designed specifically for photographers: which means they actually understand what photography content looks like and how it should be presented, rather than giving you generic templates built for a coffee shop that you then spend an hour adapting. For the days when you know you need to post, you have the images, and you just need the framework to not look like an afterthought. Customisable, on-brand, and ready in minutes. The shortcut that doesn't look like one.


🎁 Click here and get 1 month free to test it out!

CAMP SNAP: MY FAVORITE SUPER8

Not everything needs to be technically perfect to be exactly right. The Camp Snap CS8 is a digital point-and-shoot video camera with the energy of a disposable: simple, immediate, zero settings to overthink, completely unpretentious. I reach for it when I want footage that feels candid and real rather than cinematic and considered. It's the camera for the moments you want to catch without making it a whole production. In a kit full of serious equipment, this one is genuinely fun to use, which is underrated.


🎁 Click here and get 1 month free to test it out!

RETROPIA: THE OREO LENS

Someone took the actual glass lens element out of a disposable film camera and engineered it to mount on a mirrorless body. The result is soft focus, real chromatic aberration, genuine vignetting, and the kind of flares that no Lightroom preset can replicate because they happen in the optics before light ever hits your sensor. Plus, it looks like an oreo cookie which makes everyone smile. It weighs almost nothing, lives in my bag permanently, and costs less than a dinner out. Easily one of my favourite things I carry.


🎁 Click here and get 1 month free to test it out!

FLASHBACK: DIGITAL CAMERA WITH A FILM SOUL

"The soul of a film camera reborn in a digital era" which is exactly what it is. A digital camera built around analog aesthetics, for photographers who love the feel and look of film but would also like to know what they captured before they send a roll off to be developed and wait three weeks. Flashback gives you the tactile experience and the visual character of analog with the practicality of digital. It's for the part of you that misses shooting film but has a gallery to deliver on Monday.


🎁 Click here and get 1 month free to test it out!

RWINDER: AN ANALOG LOVERS DREAM

A Portuguese shop selling film rolls and fully functional second-hand analog cameras for photographers who want to shoot film without spending a fortune on gear they don't know they'll love yet, or for the ones who already know they love it and want reliable, tested equipment at sensible prices. I love them because the selection is genuinely good, and because supporting independent analog photography culture is always something worth doing.


🎁 Click here and get 1 month free to test it out!

BLACKHOLD: THE COMFIEST STRAPS

This is a Brazilian brand making genuinely beautiful camera straps, bags, and accessories in real soft leather for photographers who want the things they carry every day to look as intentional as the work they do. A good camera strap is not a vanity purchase: it's a twelve-hour to 3 days wedding on your shoulders and around your neck, and it either holds up or it doesn't. Blackhold holds up. It also looks incredible, which I refuse to pretend isn't part of the point.


🎁 Click here and get 1 month free to test it out!

ANYCUBIC: THE NERDY PHOTOGRAPHER WIN

Yes, I use a 3D printer for my photography business because sometimes the thing you need simply doesn't exist as a product and you just have to make it yourself. Custom accessories, gear organisation solutions, props, the specific little tool that would make one part of your workflow significantly easier if only someone had thought to manufacture it - Anycubic makes the printer that makes those things. It sounds like a rabbit hole. It is a rabbit hole. I have zero regrets - and lots of cool stuff!


🎁 Click here and get 1 month free to test it out!

INSPIRATION PHOTOGRAPHERS: IYKYK

One of the most respected photography communities and award platforms in the world: a space where wedding, portrait, family, and sports photographers submit work, earn rankings, win awards, and get seen by the people who actually matter in this industry. The Golden Lens Awards are genuinely coveted. Being part of this community is not just good for the ego (though it is that too), it's good for the business. If you're serious about your craft and you want it evaluated by people who are equally serious, this is where you go.


🎁 Click here and get 1 month free to test it out!

XTEINK: MY FAITHFUL COMPANION

I travel constantly. I also read constantly β€” and I refuse to either stop reading or carry a tablet the size of a small country just to do it. Xteink is an ultra-thin, paper-like e-ink reader that weighs almost nothing, has a 14-day battery life, and fits in a jacket pocket. It is not photography equipment. It is, however, equipment for being a functional human being who doesn't lose their mind on long-haul flights, which directly affects the quality of every shoot I show up to. Read more. It helps.


🎁 Click here and get 1 month free to test it out!